In order to get more accurate results, our search has the following Google-Type search functionality:
If you use '+' in front of a word, then that word will be present in the search results.
ex: Harry +Potter will return results with the word 'Potter'.
If you use '-' in front of a word, then that word will be absent in the search results.
ex: Harry -Potter will return results without the word 'Potter'.
If you use 'AND' between two words, then both of those words will be present in the search results.
ex: Harry AND Potter will return results with both 'Harry' and 'Potter'.
If you use 'OR' between two words, then bth of those words may or may not be present in the search results.
ex: Harry OR Potter will return results with just 'Harry', results with just 'Potter' and results with both 'Harry' and 'Potter'.
If you use 'NOT' before a word, then that word will be absent in the search results.
ex: Harry NOT Potter will return results without the word 'Potter'.
Placing '""' around words will perform a phrase search. The search results will contain those words in that order.
ex: "Harry Potter" will return any results with 'Harry Potter' in them, but not 'Potter Harry'.
Using '*' in a word will perform a wildcard search. The '*' signifies any number of characters. Searches can not start with a wildcard.
ex: Pot*er will return results with words starting with 'Pot' and ending in 'er'. In this case, 'Potter' will be a match.
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The figurehead of New German Cinema meditates on the next leap forward in visual aesthetics In The Dragonfly's Eye, author and filmmaker Alexander Kluge (born 1932) tests out the cooperative capacities of the Stable Diffusion model, which uses AI to process images. As a filmmaker, he has years of experience dealing with the camera and its ways of seeing. As a result, he is particularly curious about the different images that AI can generate. Here, Kluge reflects on the idiosyncrasies of these new types of images, in which chance factors and errors create subjective forms, resulting in open images that are hard to place. He establishes rules for using the "virtual camera" and thus contributes to a debate on how AI should be handled. In a series of stories combining images and text--ranging from cases of phantom pregnancy in East Germany to the mercenary Yevgeny Prigozhin--he examines how the "virtual camera" uncovers a new lens within which stories can be framed.