In order to get more accurate results, our search has the following Google-Type search functionality:
If you use '+' in front of a word, then that word will be present in the search results.
ex: Harry +Potter will return results with the word 'Potter'.
If you use '-' in front of a word, then that word will be absent in the search results.
ex: Harry -Potter will return results without the word 'Potter'.
If you use 'AND' between two words, then both of those words will be present in the search results.
ex: Harry AND Potter will return results with both 'Harry' and 'Potter'.
If you use 'OR' between two words, then bth of those words may or may not be present in the search results.
ex: Harry OR Potter will return results with just 'Harry', results with just 'Potter' and results with both 'Harry' and 'Potter'.
If you use 'NOT' before a word, then that word will be absent in the search results.
ex: Harry NOT Potter will return results without the word 'Potter'.
Placing '""' around words will perform a phrase search. The search results will contain those words in that order.
ex: "Harry Potter" will return any results with 'Harry Potter' in them, but not 'Potter Harry'.
Using '*' in a word will perform a wildcard search. The '*' signifies any number of characters. Searches can not start with a wildcard.
ex: Pot*er will return results with words starting with 'Pot' and ending in 'er'. In this case, 'Potter' will be a match.
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In these eight sparkling biographies, Stan Brakhage brings us into intimate acquaintance with some of America's most influential independent filmmakers. These filmmakers are members of one of the most radical of 20th-century art movements; and yet their films and their lives are a continuous source of inspiration, not only to young, developing film-artists, but to the makers of commercial movies and videos as well. In these eight sparkling biographies, Stan Brakhage brings us into intimate acquaintance with some of America's most influential independent filmmakers. We meet Jerome Hill, born to inherit railroads and banks but destined to forge his artistic vision into a lasting film statement. And Marie Menken who, against the odds of a miserable and brutal marriage, developed a film aesthetic that revolutionized the very essence of independent filmmaking. Then James Broughton, the inveterate San Franciscan, whose irrepressible sense of whimsy and profound grasp of classical symbols combined to create some of the most vital filmworks of the last four decades; Christopher MacLaine, the "Artaud of North Beach"; Maya Deren, known to independent filmmakers as "the mother of us all"; Sidney Peterson, sophisticated, erudite, shy, the gentleman of the avant-garde film world; and two of Brakhage's most prominent contemporaries, Bruce Conner and Ken Jacobs. These filmmakers are members of one of the most radical of 20th-century art movements; and yet as radical and individual as they are, their films and their lives are a continuous source of inspiration, not only to young, developing film-artists, but to the makers of commercial movies and videos as well. Brakhage presents them and their work in portraits that are at once critical and anecdotal. One comes away from Film at Wit's End as one leaves an enjoyable, lively evening among friends