In order to get more accurate results, our search has the following Google-Type search functionality:
If you use '+' in front of a word, then that word will be present in the search results.
ex: Harry +Potter will return results with the word 'Potter'.
If you use '-' in front of a word, then that word will be absent in the search results.
ex: Harry -Potter will return results without the word 'Potter'.
If you use 'AND' between two words, then both of those words will be present in the search results.
ex: Harry AND Potter will return results with both 'Harry' and 'Potter'.
If you use 'OR' between two words, then bth of those words may or may not be present in the search results.
ex: Harry OR Potter will return results with just 'Harry', results with just 'Potter' and results with both 'Harry' and 'Potter'.
If you use 'NOT' before a word, then that word will be absent in the search results.
ex: Harry NOT Potter will return results without the word 'Potter'.
Placing '""' around words will perform a phrase search. The search results will contain those words in that order.
ex: "Harry Potter" will return any results with 'Harry Potter' in them, but not 'Potter Harry'.
Using '*' in a word will perform a wildcard search. The '*' signifies any number of characters. Searches can not start with a wildcard.
ex: Pot*er will return results with words starting with 'Pot' and ending in 'er'. In this case, 'Potter' will be a match.
21 photographs, 12 line drawings; 8 page color insert 320
Visionary director Yuval Sharon has been celebrated as one of the world's most innovative opera impresarios, yet he has never adhered to traditional form, observing that most operas "suffer the dull edge of routine in unimaginative and woefully under-rehearsed productions." Sharon seeks to disrupt conventions by urging the performance of opera in "non-spaces" like parking lots; amplifying voices; and even performing classic works in reverse order. Surveying the role of opera in America and drawing on his experiences from Berlin to Los Angeles, Sharon lays out his vision for an "anti-elite opera," which celebrates the imagination and challenges the status quo. Refusing to believe that opera is dying, Sharon maintains that opera has always existed in a perpetual cycle of death and rebirth. Engaging and accessible, A New Philosophy of Opera, with its advocacy of opera as an "enchanted space" and its revolutionary message, promises to be one of the liveliest opera books in years.