In order to get more accurate results, our search has the following Google-Type search functionality:
If you use '+' in front of a word, then that word will be present in the search results.
ex: Harry +Potter will return results with the word 'Potter'.
If you use '-' in front of a word, then that word will be absent in the search results.
ex: Harry -Potter will return results without the word 'Potter'.
If you use 'AND' between two words, then both of those words will be present in the search results.
ex: Harry AND Potter will return results with both 'Harry' and 'Potter'.
If you use 'OR' between two words, then bth of those words may or may not be present in the search results.
ex: Harry OR Potter will return results with just 'Harry', results with just 'Potter' and results with both 'Harry' and 'Potter'.
If you use 'NOT' before a word, then that word will be absent in the search results.
ex: Harry NOT Potter will return results without the word 'Potter'.
Placing '""' around words will perform a phrase search. The search results will contain those words in that order.
ex: "Harry Potter" will return any results with 'Harry Potter' in them, but not 'Potter Harry'.
Using '*' in a word will perform a wildcard search. The '*' signifies any number of characters. Searches can not start with a wildcard.
ex: Pot*er will return results with words starting with 'Pot' and ending in 'er'. In this case, 'Potter' will be a match.
198(Ht mm) 129(Wdt mm) 224
Controversial first collection of writing on art from John Berger, author of Ways of Seeing. When first published in 1960 Permanent Red established John Berger as a firebrand critic who was willing to broadcast controversial opinions on some of the most important British artists of the day, including Henry Moore and Barbara Hepworth. Why should an artist's way of looking at the world have any meaning for us? Why does it give us pleasure? Any artwork reflects the artists intentions, but also its times: therefore all art is political. In his first collection of writing on art, Permanent Red, published in 1960, John Berger controversially argues that the contemporary artist should strive for a realism that aims for hope, to improve the world. Surveying the work of both historic figures as well as contemporary artists such as Picasso, Leger and Matisse, he explore the role of the artists and divides them into ones that struggle, ones that fail and twentieth century masters. He also argues why we should study the work of the past in order to understand the present and to rethink the future.