In order to get more accurate results, our search has the following Google-Type search functionality:
If you use '+' in front of a word, then that word will be present in the search results.
ex: Harry +Potter will return results with the word 'Potter'.
If you use '-' in front of a word, then that word will be absent in the search results.
ex: Harry -Potter will return results without the word 'Potter'.
If you use 'AND' between two words, then both of those words will be present in the search results.
ex: Harry AND Potter will return results with both 'Harry' and 'Potter'.
If you use 'OR' between two words, then bth of those words may or may not be present in the search results.
ex: Harry OR Potter will return results with just 'Harry', results with just 'Potter' and results with both 'Harry' and 'Potter'.
If you use 'NOT' before a word, then that word will be absent in the search results.
ex: Harry NOT Potter will return results without the word 'Potter'.
Placing '""' around words will perform a phrase search. The search results will contain those words in that order.
ex: "Harry Potter" will return any results with 'Harry Potter' in them, but not 'Potter Harry'.
Using '*' in a word will perform a wildcard search. The '*' signifies any number of characters. Searches can not start with a wildcard.
ex: Pot*er will return results with words starting with 'Pot' and ending in 'er'. In this case, 'Potter' will be a match.
233(Ht mm) 154(Wdt mm) 448
Jennifer Mills is the author of the novels <i>The Airways </i>(2021) <i>Dyschronia </i>(2018), <i>Gone </i>(2011) and <i>The Diamond Anchor </i>(2009) and a collection of short stories, <i>The Rest is Weight</i> (2012). In 2019 <i>Dyschronia </i>was shortlisted for the Miles Franklin Literary Award, Australia's most prestigious prize for literary fiction, the Adelaide Festival Awards for Literature, and the Aurealis Awards for science fiction. Mills' fiction, non-fiction and poetry have been widely published, as well as being broadcast, recorded and performed from Adelaide to Berlin. She is a regular writer for <i>Overland </i>literary journal and has contributed criticism to the <i>Sydney Morning Herald</i>, the Wheeler Centre, and the <i>Sydney Review of Books</i>. From 2012-2018 she was the fiction editor at <i>Overland</i>. <b>Two estranged sisters reconnect in the aftermath of ecological and social collapse, in this work of suspenseful, deeply human literary speculative fiction. <i></i></b> <b>Two estranged sisters reconnect in the aftermath of ecological and social collapse, in this work of suspenseful, deeply human literary speculative fiction.</b> <i>They drift in their sleep, waiting for something. The end of the world, or another escape. But the world is still here. There's no escaping it.</i> Jude's life has been about survival. She works on rebuilding - fixes roofs, trucks supplies, transports refugees. Tries to stay free from attachments and obligations. But Jude won't talk about her past. Or her sister Celeste, lost in the tragic failure of a space station that was supposed to save her, and the other ultra-rich, from the wreckage of a dying world. When an escape pod falls from the sky, its passenger near death, Jude knows her anonymous existence can't continue. As the fragile peace of her community is put at risk, Jude must re-examine the terms of her survival - and her exile. <i>Salvage</i> is a gripping novel of literary speculative fiction that asks: what does it mean to care for each other, after the end of the world?