In order to get more accurate results, our search has the following Google-Type search functionality:
If you use '+' in front of a word, then that word will be present in the search results.
ex: Harry +Potter will return results with the word 'Potter'.
If you use '-' in front of a word, then that word will be absent in the search results.
ex: Harry -Potter will return results without the word 'Potter'.
If you use 'AND' between two words, then both of those words will be present in the search results.
ex: Harry AND Potter will return results with both 'Harry' and 'Potter'.
If you use 'OR' between two words, then bth of those words may or may not be present in the search results.
ex: Harry OR Potter will return results with just 'Harry', results with just 'Potter' and results with both 'Harry' and 'Potter'.
If you use 'NOT' before a word, then that word will be absent in the search results.
ex: Harry NOT Potter will return results without the word 'Potter'.
Placing '""' around words will perform a phrase search. The search results will contain those words in that order.
ex: "Harry Potter" will return any results with 'Harry Potter' in them, but not 'Potter Harry'.
Using '*' in a word will perform a wildcard search. The '*' signifies any number of characters. Searches can not start with a wildcard.
ex: Pot*er will return results with words starting with 'Pot' and ending in 'er'. In this case, 'Potter' will be a match.
98 color plates 220
A rare autobiographical glimpse into the life and influences of one of Europe's greatest living philosophers. This book's title, Self-Portrait in the Studio-a familiar iconographic subject in the history of painting-is intended to be taken literally: the book is a self-portrait, but one that comes into view for the reader only by way of patient scrutiny of the images, photographs, objects, and paintings present in the studios where the writer has worked and still works. That is to say, Giorgio Agamben's wager is to speak of himself solely and uniquely by speaking of others: the poets, philosophers, painters, musicians, friends, passions-in short, the meetings and encounters that have shaped his life, thought, and writing, from Martin Heidegger to Elsa Morante, from Herman Melville to Walter Benjamin, from Giorgio Caproni to Giovanni Urbani. For this reason, images are an integral part of the book, images that-like those in a rebus that together form another, larger image-ultimately combine with the written text in one of the most unusual self-portraits that any writer has left of himself: not an autobiography, but a faithful and timeless auto-heterography.