In order to get more accurate results, our search has the following Google-Type search functionality:
If you use '+' in front of a word, then that word will be present in the search results.
ex: Harry +Potter will return results with the word 'Potter'.
If you use '-' in front of a word, then that word will be absent in the search results.
ex: Harry -Potter will return results without the word 'Potter'.
If you use 'AND' between two words, then both of those words will be present in the search results.
ex: Harry AND Potter will return results with both 'Harry' and 'Potter'.
If you use 'OR' between two words, then bth of those words may or may not be present in the search results.
ex: Harry OR Potter will return results with just 'Harry', results with just 'Potter' and results with both 'Harry' and 'Potter'.
If you use 'NOT' before a word, then that word will be absent in the search results.
ex: Harry NOT Potter will return results without the word 'Potter'.
Placing '""' around words will perform a phrase search. The search results will contain those words in that order.
ex: "Harry Potter" will return any results with 'Harry Potter' in them, but not 'Potter Harry'.
Using '*' in a word will perform a wildcard search. The '*' signifies any number of characters. Searches can not start with a wildcard.
ex: Pot*er will return results with words starting with 'Pot' and ending in 'er'. In this case, 'Potter' will be a match.
304
In 1982 Malcolm Macarthur, the wealthy heir to a small estate, found himself suddenly withoutmoney. The solution, he decided, was to rob a bank. To do this, he would need a gun and a car. Inthe process of procuring them, he killed two people, and the circumstances of his eventual arrestin the apartment of Ireland's Attorney General nearly brought down the government. The case remainsone of the most shocking in Ireland's history and the words used to describe the crimes (grotesque,unprecedented, bizarre, and almost unbelievable) have remained in the cultural lexicon as theacronym GUBU. Mark O'Connell has long been haunted by the story of this brutal double murder. But in recent yearsthis haunting has become mutual. When O'Connell sets out to unravel the mysteries still surroundingthese horrific and inexplicable crimes, he tracks down Macarthur himself, now an elderly man livingout his days in Dublin and reluctant to talk. As the two men circle one another, O'Connell is pushed into a confrontation with his ownnarrative: what does it mean to write about a murderer?